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CinX's Travels 2015

Started by CinX, February 01, 2015, 12:54:12 PM

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CinX

The Palacio de Generalife (Spanish pronunciation: [xe.ne.ɾa.ˈli.fe]; Arabic: جَنَّة الْعَرِيف‎ Jannat al-'Arīf, literally, "Architect's Garden") was the summer palace and country estate of the Nasrid Emirs (Kings) of the Emirate of Granada in Al-Andalus, now beside the city of Granada in the autonomous community of Andalusia, Spain.

The complex consists of the Patio de la Acequia (Court of the Water Channel or Water-Garden Courtyard), which has a long pool framed by flowerbeds, fountains, colonnades and pavilions, and the Jardín de la Sultana (Sultana's Garden or Courtyard of the Cypress). The former is thought to best preserve the style of the medieval Persian garden in Al-Andalus.

Originally the palace was linked to the Alhambra by a covered walkway across the ravine that now divides them. The Generalife is one of the oldest surviving Moorish gardens.

The present-day gardens were started in 1931 and completed by Francisco Prieto Moreno in 1951. The walkways are paved in traditional Granadian style with a mosaic of pebbles: white ones from the River Darro and black ones from the River Genil.[2]

The Generalife is a UNESCO World Heritage Site in Granada, along with the Alhambra palace and gardens, and the Albayzín district.







CinX

The Nasrid Palaces

Complex of palaces, the residence of the kings of Granada. Its construction was started by the founder of the dynasty, Alhamar, in the thirteenth century, although the buildings that have survived to our time date mainly from the fourteenth century.
The walls of these palaces enclose the refinement and the delicateness of the last Hispano-Arab governors of Al Andalus, the Nasrids.
Three palaces form these premises:

    The Mexuar
    The Comares, or Yusuf I Palace
    The Palace of the Lions, or of Mohammed V

The intimate concept of the royal palace, closed to curious eyes, harmonises the robustness of the outside stretches of the walls with the fragility inside, where the architectural elements become purely ornamental. The poor materials used to decorate the palaces demonstrate the temporality of the construction compared with the cosmos, the proof of man's transient nature.
The patios, continuous allusions to gardens, with elements of Persian and Muslim inspiration, are a taste of paradise, a nomad's oasis, a delight to the senses.
Water, the element that shapes the palace, combining the garden with architecture, represents purity. Crystalline water running between the fountains' marble. Life-giving water making the garden lush and fresh, providing aesthetic beauty, the sultan's generosity... a whole world of symbols and stimuli.